My camera came with a Nikon 18-105 and does a great job. It’s not about the gear, but sometimes the gear can allow a little more flexibility for a good photographer. Keep Background Plain – Again, if you want the main subject of your portrait photograph to be the person in it, then you are going to want to keep the background as plain as possible. Get Close – Tightly cropped is usually how you will want to shoot your portraits so get as close as you can with your extended lens if that's the effect that you want. They don’t allow a wide aperture (by comparison to their more expensive cousins or to prime lenses). Portrait photography kit list: lenses. Some generalizations to get us started: the most expensive prime lenses have the biggest apertures, with photographers craving the bokeh (i.e., out of focus areas) offered by lenses that are f/1.4 and f/1.2. 3. It’s so much easier with a 50mm f1.8 lens! Focus on Eyes (Nearest Eye if Necessary) – In portrait photography, conventional wisdom always says to place sharp focus on the eyes. Two things. A prime lens, in film and photography, a prime lens is either a photographic lens whose focal length is fixed, as opposed to a zoom lens, or it is the primary lens in a combination lens system. The 18-55mm lens that came with it works great, great for night photography, long exposure city scape for example, as well as general landscapes. This can mean that it’s easier to nail focus, especially when shooting at wider apertures. There are ways around it like those above, but there’s a reason that a 300mm f2.8 costs thousands of dollars while a 300mm 5.6 can be had for $150. But don’t take that the wrong way. In this video I show you how to take professional portrait shots with your kit lens 18-55 mm lens. That’s not chump change and comes highly recommended. Prime lenses are lenses that don’t zoom. Shoot the same item using the same lense but change the settings. Extend Kit Lens to Longest Tele – Most popular kit lenses are somewhere in the 18mm to 70mm range (Nikon's 18-70mm or Canon's 18-55mm for example) and you're usually going to want to extend it out as far as it goes. The 85mm prime is arguably the best portrait lens that you can add … He also said that Canon will throw in one of their cheaper lenses while Nikon will give you a more expensive one. For some photographers, it’s a versatile, do-anything tool that’s just as good for landscapes and street photography as it is for portraits. First, the focal length needs to be just right. There’s an excellent overview to be found on the B&H Photo website. We normally prefer 35mm to 85mm for portraits (though longer lenses can work just fine too!). For example, Sony makes two 85mm lenses for its full-frame mirrorless cameras: the 85mm f/1.4 GM and the 85mm f/1.8. What’s wrong with kit lenses? This requires a combination of techniques as kit lenses are generally not as suitable as more expensive prime lenses or tele lenses at achieving this pleasing effect. I say "not so standard" with this one because a … Some argue that 35mm is closer than 50mm to what the eye sees naturally and it’s a popular choice for street photographers and photojournalists. Extend Kit Lens to Longest Tele – Most popular kit lenses are somewhere in the 18mm to 70mm range (Nikon's 18-70mm or Canon's 18-55mm for example) and you're usually going to want to extend it out as far as it goes. Thanks to physics, the 50mm focal length allows manufacturers to produce lightweight, compact, sharp prime lenses with fast apertures at low cost. It all depends on how close your subject is and how far away the background. However, as you're shooting with a kit lens and the aperture is probably not too wide, then this probably won't be a problem (both eyes will probably be in focus at f/3.5 or f/5.6 depending on the circumstances). Years ago I chose the path of the 100mm f2.8 macro. However, as your first prime, unless you have a niche that you know you want to explore, it’s best to go for something that falls in the middle. I think the obsession with blurred backgrounds has a similar basis. Street photographers often take advantage of this difference by using a smaller aperture to ensure that as much of the frame is in focus as possible. When you want a tighter shot, or you want to really throw the background of your image out of focus then this is the lens to use. His love for photography pushed him into building this fantastic place, and the lense capabilities an... 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